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Watch LIGHTBULB ASSASSIN: www.youtube.com An entire video, shot and edited in under a single day. Here's how we did it!

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We take you on set for one of our shortest shoots ever, and into the studio while Brandon works and the rest of us play The Resistance.

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Our report from NAB, where only the coolest of cameras hang out.

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We saw Rocksmith at E3 this year and Ubisoft sent us an advance copy. Brandon challenged me to a duel to the death on the electric axes on Blur's Song 2. Got questions? Go to facebook.com and post them" Find out more about that game at: rocksmith.ubi.com

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A behind the scenes look of the filming and ridiculously unprofessional post production process of Jedi A-Holes. For a much more in-depth lightsaber tutorial video, check out: www.videocopilot.net I need your help! I don't know what you guys want to see, so let me know in the comments below!

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Read my blog post about sound and Frozen Crossing 2: www.freddiew.com A look at our post-production sound process. i discuss equipment and methodology. Also you'll learn the proper way to sound like you're getting shot! I love sound, so what else do you guys want to learn about?

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We take you on location for our shoot in Provo, UT. Thanks to Adam Lyons for his excellent swordsmanship, and Warialasky for their awesome Skyrim theme remix. Also, thanks to Devin Graham for showing us around Provo, UT!

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How we, along with Corridor Digital, made a 30 second TV spot in 10 days for EA's Battlefield 3. We took a bit of inspiration from South Park's most excellent documentary about their ridiculous process.

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Followers of the podcast have been requesting proof that Logan is genuine. We deliver in this behind the scenes. -- 2nd Channel! ‪youtube.com Twitter! ‪twitter.com ‪twitter.com Facebook! ‪facebook.com Website! ‪facerocker.com‬

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A look behind the scenes of Cereal Killer. Special thanks to Fabian for graciously allowing us to film in his family's grocery store. They are: Catalina Market 1070 N. Western Ave Los Angeles, CA Also special thanks to Michelle Phan for her brief anime-esque cameo appearance!

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A look at how we planned out and shot the infinitely looping monstrosity that is the Blue Ball Machine

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A discussion about where we get our airsoft guns and where you might find such prop weapons. As a summary: Spring guns - Cheap, no blowback, plastic. Gas blowback - More expensive, requires 'green gas' or 'propane,' metal AEGs - Most expensive, heavy, looks great. Check online for airsoft websites or local airsoft retailers. Hit up your local sporting goods stores for potential props. And ALWAYS INFORM AUTHORITIES when you're filming with these things!

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A look behind the scenes with the Epic Meal Time guys. Watch EPIC VFX TIME! www.youtube.com Btw, the DSLR rig we're using is a Red Rock Micro shoulder rig. It's rad.

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The choreographic and editing process for Whose gun is it anyway?

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I reveal the PRO TIPS for making realistic muzzle flares! For smoke and flares, you can spend money on: Video Copilot's Action Essentials 2 Pack: www.videocopilot.net - $100 for 720p If you don't have that kind of cheddar, I recommend NCCinema's gun pack, which is only $20: www.nccinema.ch

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facebook.com We spoke with codemasters at E3 and demoed their new game, Bodycount. It was awesome. It reminded us of the long gone age of first person shooters that are about gameplay rather then scripted sequences. Armed with all of the sound assets from the game, we set out to make an awesome video centered around classic first person shooter conventions. The demo that we played at E3 is available for everyone to play now, check it out: marketplace.xbox.com --- Main channel - www.youtube.com Twitter - @fwong & @BrandonJLa

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Check out our facebook: facebook.com A look behind the scenes of Arcade Dominator. Thanks to Endless Food and Fun in Huntington Beach for letting us shoot there, as well as making the Stacker machine easier to win!

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The story about how we got to shoot on the Universal Backlot with Jon Favreau!

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A look at the HelmetCam Mk. 3 and the process and thinking behind Battlefield 4: Co-op. We used GoPro2 cameras, because my neck can't take those DSLRs anymore

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We answer a flurry of questions from all of you on twitter. Want to participate in the next lightning round? Make sure you're following @fwong and @brandonjla.

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We discuss various cheapo car mounts for cameras and what those look like. More indepth breakdowns coming soon!

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Watch THE ROCKET JUMP: www.youtube.com Our first tutorial is kind of required viewing so see this first! www.youtube.com We reveal a couple of more techniques - basic masking, adding glow to blend flares into the environment better, and basic shells. MOTION BLUR SHUTTER ANGLE CONVERSION Frame rate is how many frames per second your camera records. Shutter speed is how long, in seconds, those individual frames are recorded at. So if you shoot 24 frames per second, the maximum your shutter speed could be is 1/24th of a second. Here's the shutter speed/degrees conversion for 24 frames/second (or 23.98 frames/second): 1/24 = 360 degrees 1/48 = 180 degrees 1/60 = 144 degrees 1/100 = 86 degrees 1/200 = 43 degrees 1/500 = 17 degrees Here's the shutter speed/degrees conversion for 30 frames/second: 1/30 = 360 egrees 1/60 = 180 degrees 1/100 = 108 degrees 1/200 = 54 degrees 1/500 = 22 degrees Or use this formula: (Shutter Speed) / (1/frame rate) * 360 So for above, if we're shooting 1/60th of a second at 24 frames per second, it would be: (1/60) / (1/24) * 360 = 144 degrees

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The reason why there are so many Speed Racers is because it's a film everyone needs to see. Period. The winners of the 500k Giveaway! Thanks to everyone for the 5000+ entries we received - it took me a long time to narrow them down, so thanks, and stay tuned for more giveaways! See all the winners, including the incredible infographic, at freddiew.com --- Twitter! twitter.com Facebook! facebook.com Main Channel! youtube.com

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A look at the production process for Future Motion Control gaming. Special thanks to Insomniac Games for animating the Chimera monsters from Resistance with us!

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